Markets for the Macabre: Uncovering New Contexts for the Art of Death in Europe, 1450–1550
Supervisor: Dr Jessica Barker
Advisor: Dr Felix Jäger
How were images of death and decay used to make sense of life during a period of social, cultural, religious and political upheaval? My project investigates the extraordinary demand for macabre art in fifteenth- and sixteenth-century Europe. Studies of the art of death are typically confined to sacred spaces and the religious concerns of salvation, humility and funerary ritual. My research, however, will demonstrate the full power of late medieval and early modern engagement with mortality by highlighting a much broader array of macabre art, such as playing cards and rosary beads, used in diverse contexts like the bedroom, the banquet hall and the town square. Although our own period is similarly marked by pandemics, technological revolutions and wars, Western culture now rejects bodily decay. My project challenges contemporary endeavours to defy ageing and death, as I argue that late medieval and early modern Europeans embraced macabre art to enrich and enhance their lives.
Education
2024–Ìý Ìý Ìý Ìý Ìý Ìý ÌýPhD History of Art, Ä¢¹½ÊÓƵ Art
2022–2023Ìý ÌýMSt History of Art and Visual Culture, University of Oxford (Distinction)
2019–2022Ìý ÌýBA History of Art, University College London (First-Class Honours)
Awards and grants
2026Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý, British Archaeological Association
2026Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ÌýCannon-Lowden travel grant, Ä¢¹½ÊÓƵ Art
2025Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ÌýEnhance Research England conference grant, Ä¢¹½ÊÓƵ Art
2022Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ÌýDean’s List for academic excellence in the Faculty of Social and Historical Sciences, University College London
2022Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ÌýHumfrey Wine Prize for the highest final-year dissertation mark in History of Art, University College London
Work experience
2024–Ìý Ìý Ìý Ìý Ìý Ìý Ìý Prints and Drawings Ä¢¹½ÊÓƵ Room Assistant, The Ä¢¹½ÊÓƵ Gallery
2022Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Research Assistant for Dr Jacopo Gnisci, co-director of the , University College London
Publications
2025Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘La Mort à la mode : une Danse macabre en ivoire’, in La Danse macabre des Saints-Innocents : 1425-2025. Sources, contexte, postérité, ed. by Ilona Hans-Collas, Didier Jugan and Danielle Quéruel (Vendôme: Éditions du Cherche-Lune, 2025), 386–404
Talks
2026Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Markets for the Macabre: An Investigation into Elite Demand for the Art of Death in Fifteenth- and Sixteenth-Century Europe’, Kunstgeschichtliche Forschungen 15. und 16. Jahrhundert, Zentralinstitut für Kunstgeschichte, Munich
2026Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Death in Play: Macabre Imagery in the Colleoni Tarot (1456–1458)’, The Ä¢¹½ÊÓƵ Second-Year PhD Symposium, Ä¢¹½ÊÓƵ Art, London
2026Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘What’s in a Game? Memento Mori Imagery in Renaissance Tarot’, The Ä¢¹½ÊÓƵ Medieval Postgraduate Colloquium, Ä¢¹½ÊÓƵ Art, London
2025Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Donning Death: Memento Mori Ivories as Fashion Accessories’, British Archaeological Association Postgraduate Conference, online
2025Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Death’s Anatomy: Macabre and Diseased Bodies in the Wellcome Apocalypse’, Oxford Medieval Manuscripts Group, University of Oxford
2025Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘La Mort à la mode : une Danse macabre en ivoire’, 21st International Congress of the Association Danses macabres d’Europe, École du Louvre
2025Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Mori male times: Mortality, Medicine and the Macabre in the Wellcome Apocalypse’, International Medieval Congress, University of Leeds
2023Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Gargoyles: A French (Re)Invention’, Worcester College History Society, University of Oxford
Other experience
2026Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Lulias-Solon Colloquium on Human Flourishing at the Villa Palazzola, Rome
2026Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Co-convenor, with Alex Bispham, of the Ä¢¹½ÊÓƵ Second-Year PhD Symposium, London
2025–2026Ìý ÌýChair of the Members’ Council at , London
2025Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Brittan Colloquium on Medieval Paris and the Très Riches Heures du Duc de Berry, Paris and Chantilly
2024–2025Ìý ÌýCommunity and Welfare Co-Chair at London
2024Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý ‘Medieval and Renaissance Sculpture’
2024–Ìý Ìý Ìý Ìý Ìý Ìý ÌýFounding member and co-convenor of the
2023Ìý Ìý Ìý Ìý Ìý Ìý Ìý Ìý Introduction to Medieval Manuscripts at the , Paris
Research interests
Late medieval and early modern conceptions of the body
Associations between the languages of dance, social performance and painting in late medieval and early modern Europe
Word/image relationships in manuscripts and early printed books
Visualisations of time and restorations of the past in nineteenth-century literature, art and architecture
